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To top it off, we get some Q&A with the actors who play the characters.
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Additionally, at the end of the book, queer characters who have been cast in live tv shows are given a profile depicting their history and the series and essential episodes they’re in. Inundating the already wonderful short tales are full-page pin-ups of queer characters, some of which are not shown in the stories. It’s certainly something my younger self would have been better off hearing. It’s a message I think many younger people need to hear. This use of color easily accentuates the theme: it takes time to begin to understand and love yourself. Warm colors also begin to be introduced when Batwoman explores her sexuality. The linework, how the hair is drawn, and the use of red to make Batwoman stand out against the cool colors of the background are just so visually appealing.
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From the artwork to the coloring and lettering, the entire look of the story is so unique. Even for someone who is nonbinary, it was a shock to see a comic use these depictions so nonchalantly, but it was definitely a pleasant surprise.īy far, my favorite story was “The Wrong Side of the Looking Glass,” featuring Batwoman. There’s a panel where we see Flash trying on outfits, and it’s pleasant to see them easily flit between classically masculine and feminine clothing along with androgynous wear.
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Alongside a range of sexualities, we see some gender-nonconforming dialogue along with a nonbinary character, Future State Flash. While there are well-known queer characters featured in DC Pride #1-such as the bisexual Harley Quinn-plenty of other characters whose queerness may be less known or recently introduced get the spotlight. This is truly a celebratory anthology, showcasing characters who are lesbian, gay, and bisexual. Each story is short and sweet, and this formula works well in this collection. There are no life or death scenarios despite these being superhero tales.
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But despite these darker themes, the stories are kept light with queer memes-like the Uhaul lesbians and the title of one story, “Be Gay, Do Crime”-and cute, positive endings, such as a gay father coming out to his gay son so that he’ll never feel alone in “He’s the Light of My Life!”. These include the erasure of homosexual relationships throughout history, prejudice even in presumably safe spaces, self-doubt and anger, the older generation learning from the younger, and queerness as a political concept. And while none of the stories go into a lot of depth or get too gloomy, they still hint at themes that any queer person or ally will understand. But it’s quite another to celebrate the diversity of human sexuality and gender and the history of the queer community through these superheroes. It’s one thing to showcase queer characters, specifically superheroes, doing their jobs. While all the works are visually excellent and exemplify the range of talents, the most intriguing part about this anthology is the themes present.
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Since so many wonderful people have worked on this labor of love, full credits for each team are listed at the end of this review. At a glance, the teams are diverse and bring us a pleasant range of artwork. With an anthology comes a host of creators.